For this project, our entire cohort was tasked with constructing the Seida chair by Enzo Mari in pairs, and then modifying the chair in any manner, exploring the concept of open design.
Lucile and I explored various ideas during our brainstorming sessions, but one concept resonated with us: burning the chair. Upon conducting further research into the practice of burning wooden furniture, we discovered the work of renowned designer Maarten Baas, specifically his Smoke project. Baas had used this technique exclusively on designer furniture, particularly chairs, but had never applied it to the Seida chair. We immediately recognized the potential of adapting this approach to our project.
Design, in our view, is not only about creating something entirely new but also about establishing connections between existing concepts and ideas.
To execute our vision, we decided to follow the same protocol as Maarten Baas in his Smoke series: burning the chair until it reaches carbonization, carefully dusting it, and then applying a thin layer of epoxy resin. This process preserves the carbonized surface, preventing dirt transfer when sitting on it, while also solidifying the structure. Through this method, we aimed to both honor and transform the iconic Seida chair, blending tradition with experimental techniques in open design.